LATEST
Bitef Theatre, June 17, 8pm
Scrape showed up as a hint, as a feeling – of skin, somatic.
It became the articulation of the state when bodies mix, dance and other bodies.
Flinch, pain, numbness which exist only if there is someone else to feel them. Bodies emerge and disappear on the border zones of light.
Mirage when looking outside of a car by night.
The principles of analysing a dancework proposed in Marko Pejović‘s research ‘‘Four Discursive Points of Dance Practice“ have been used during the
entirety of the production process.
Concept and choreography: Jovana Rakić
Dramaturgy: Marko Pejović
Performance and artistic collaboration: Jana Milenković, Milica Pisić, Natascha Schmelz
Sound design: Bojan Palikuća
Costume: Boris Čakširan
Graphic design: Katarina Popović
PR: Sanja Ljumović
Production: Ksenija Đurović
Co-production: Station Service for contemporary dance with the support of Departures and Arrivals (DNA) network through the Creative Europe programme, Ministry of Culture and Information of the Republic of Serbia, Bitef Theatre, Magacin in Kraljevića Marka 4 and Dom kulture Studentski grad
October 2016.
Special Aword for Invention in Contemporary Dance Theater for performance "Species", theater season 2015/2016.
KONDENZ FESTIVAL
NINTH EDITION OF KONDENZ IS CONCEIVED BY ANA DUBLJEVIĆ, DALIJA AĆIN THELANDER, DRAGANA BULUT, DUŠAN MURIĆ, IGOR KORUGA, JOVANA RAKIĆ, KSENIJA ĐUROVIĆ, MARIJANA CVETKOVIĆ, MIRJANA DRAGOSAVLJEVIĆ, MARKO MILIĆ;EXECUTIVE PRODUCTION: KSENIJA ĐUROVIĆ, MIRJANA DRAGOSAVLJEVIĆ; GRAPHIC DESIGN: KATARINA POPOVIĆ; PR: TATJANA NIKOLIĆ; VOLONTEERS: ALEXANDRA BAYBUTT, KATIE CUNNINGHAM, SAMANTHA ROSE GILLINGHAM, MOLLY SCARBOROUGH I CODY SHUTLR LEVI; THANKS TO: ZOE GUDOVIĆ/SESTRE TO RADE NAJBOLJE, KLUB MEDUZA, MATIJA ILIĆ, NELA ANTONOVIĆ, KC REX, KLUB PETAK, LICEULICE I SMART KOLEKTIV
Species at 17 Bitef Polyphony 16 "Resisting Rage"
About "Species" on Bitef Polyphony (in Serbian)
28th September – 1st October
Bitef Polyphony is dedicated to those new theatre tendencies which can be discovered and observed in innovative, devising process and participative projects of theatre artists and other creative individuals in their work with young people equally in the context of contemporary arts and in contexts such as education, activism and community culture.
http://festival.bitef.rs/bitef-polyphony-30-09/
Species at 17 Bitef Polyphony 16 "Resisting Rage"
About "Species" on Bitef Polyphony (in Serbian)
http://festival.bitef.rs/bitef-polyphony-30-09/
Bridge of Glances - open space dance performance- Nušićijada 2016. Ivanjica
Bridge symbolizes the meeting place and finding ways to make things happen, to create a relationship out of it and finally fellowship and connection. Bridge lives with nature, but it is designed to win over it and as such is a symbol of the continuing human tendency to skip the natural flows within and around us. The performance presents the story about the relationship between people, their relationship to nature and "bridges" that we all build between us and than protect.
Species
The performance
is a result of project concerning the inclusion of 4 young artists in
professional contemporary dance context. It focuses on their relationship to their
education, contemporary dance, dance institutions, the perception of their future,
their inner world, their thoughts, choices and decisions with which they have had to live as well as their own view on what they are
offered to consume or deal with in the field of art and media.
Species are
co-product, in which choreographer sets the framework and principles, while
performers determinate parameters such as text, rhythm, breaks, level of
presence and absence. Performers are presenting their relationship to the education
system, contemporary dance, institutions, the perception of their future, their
inner world, their thoughts, choices and decisions with which they have had to live as well as their own view on what they are
offered to consume or deal with in the field of art and media, the lack of
prospects, and policies that affect the freedom of their choice. The
performance is partly trying to offer a
response to the generationally heterogeneous team where various
references enter (in) directly and where it is not always clear who is speaking and
to whom, where tasks are multidirectional and the answers are mixed. This emphasizes and abolishes
specificity and avoids narrative structure. It examines new species, which are
construct, and therefore elusive.
link:
https://vimeo.com/161889301
https://www.youtube.com/watch?v=rPjkjaeTtXE
link:
https://vimeo.com/161889301
https://www.youtube.com/watch?v=rPjkjaeTtXE